Masturbation Month Sale!

Happy Masturbation Month! To celebrate, treat yourself to some new, sexy books!

USE CODE MM2021 at checkout

Sale runs 5/1/21 – 5/31/21

Shipping to the U.S. ONLY

Limit one per customer

Get all of the books below for 40% off (plus shipping). Sale is for print books only purchased at www.cleispress.com.

Just click the links below to add them to your cart!

FLASH SALE!

Act fast to stock up on all your LGBTQ+ books for the summer. From 6/24 to 7/1 get all of the books below for 20% off (plus shipping). Sale is for print books only purchased at www.cleispress.com.

Just click the link to find out more and add them to your cart!

GAY EROTICA

LESBIAN EROTICA

SEXUALITY/GUIDES

MEMOIRS/NOVELS/NONFICTION

EXCLUSIVE EXCERPT: BEST OF…

Meet the Children of Unicorns: A Challenge to Learn, Reflect, and Disrupt

Whether you consider yourself straight and 100 percent hetero-normative, or whether you consider yourself a mere being in a complicated cosmos whose physical manifestations bear little to no weight on who you instinctively gravitate toward when seeking a partner, or whether you consider yourself to be utterly and totally devoid of any and all sexual attraction or attractiveness, you would be hard-pressed to discover something that can bridge those divides – a hypothetical “God particle” that could universalize our opinion and understanding of sex and gender in relation to the family unit.

Now, this need looms ever more important as many are concerned that recently obtained rights may be nullified – that years of hard work, activism, and conversations will be moved backward in time. So, when you next find yourself confronted with hatred, bias, or misunderstanding, perhaps some of the responses below will come to mind. Perhaps the voices of children, even adult children, can be a source of deeper understanding and a path to that unifying, warm, squishy center. As so it so often goes, by only listening to those at the margins, could we hope to understand the power and the unifying force of love and to rediscover the best parts of what it means to be human.

Last month we explored the editor’s note in Frank Lowe’s edited collection of stories in Raised by Unicorns: Stories from People with LGBTQ+ Parents (Cleis Press, June 2018). Following Frank’s mission to provide readers with a diverse array of stories, we wanted to chat with some of the contributors to provide more insight into their experiences. Presented with five somewhat rudimentary and predictably-answerable questions, we were very much surprised to discover a much deeper underlying message—one of hope, growth, understanding, and most importantly love.

(Please note that this interview was conducted prior to some of the more recent threats against LGBTQ+ rights in America and abroad. Contributors to Raised by Unicorns vary in age from 15 to 47. Ages are noted after contributor names.)

1. What inspired you to write your chapter and share your story?

MIKAYLA DENAULT (15): The need for awareness. I seized this opportunity to show how the obstacles my family faces make us stronger in the face of adversity. The main goal of my chapter, “Two Hens and a Chick”, is to erase the line between LGBT and straight families. I want to show everyone that as long as there is love, a family is a family despite small differences that makes us unique and give us a diverse world. My chapter highlights the experiences I have encountered such as my moms’ wedding and the legalization of same-sex marriage in my state. So, overall, the inspiration behind my chapter was to share my perspective in a family with two moms, and how moments in my life motivated me to fight injustices in society and bring about equality.

LARA LILLIBRIDGE (44): Although I just published a memoir about my experiences growing up in a lesbian home (Girlish, Skyhorse 2018) there is such little representation for children of LGBTQ+ families that I was super excited to add to the body of literature.

I came of age in the late 1980s, and knew next to no other children with families like mine. Meeting other children of LGBTQ+ families feels more like meeting long-lost cousins than meeting strangers. So, often, children of the queer community feel as if we are poster children for our entire subculture: what we say about our families will be used by others to represent queer families as a whole. The best way to be seen as individuals is to have more representation in TV movies, and in books like Raised by Unicorns.

JENNY RAIN (47): Growing up as the child of two dads in the 70s, 80s, and 90s, my story finds itself firmly placed between the intersection of the church and the LGBTQ+ community. I love both. I believe both communities can not only learn to co-exist, but to also thrive together. I believe that every child of an LGBTQ+ parent, every LGBTQ+ family, and those who are attempting to find communities of faith have an important story to add to the changing conversation in our nation. I believe that my story can make a difference.

My life’s passion is all about how to change the conversation for LGBTQ+ families like mine both in our churches and in this religiously-motivated world. But, my ultimate goal is to see our nation elevate beyond the partisan and theological conversations around LGBTQ+ families to be less combative and more redemptive. Frank has given me the incredible opportunity to start doing that.

Overall, my inspiration comes from the belief that we all have stories and voices that matter. And when we tell our stories, we encourage other people to be brave with their own stories.

KELLEN KAISER (36): My whole life people have asked me what it was like growing up with lesbian moms. It’s such a gigantic question to consider. I find it easier to narrow in on what a particular moment or experience was like for me. I actually wrote another book a couple years ago, Queerspawn in Love, that focused on a relationship I had for five years in my twenties. I realized after finishing that book that there was still a lot left to explore from earlier parts of my childhood that might be of interest to people. In this case, kindergarten and my parent’s wedding. Writing this, I reflected on how central that time was, both in the creation of my family and in how I interacted with others around my family.

KATE HILLYER (43): First, there aren’t all that many of us who grew up with LGBTQ+ parents, particularly from my generation, so it is important for us to share our experiences. Second, a middle grade novel I am writing has a main character with two moms, and I knew it would be a good way for me to get back in touch with what it was like when I was growing up. I was right; the writing experience was both illuminating and cathartic for me.

PERSIS TICKNOR-SWANSON (21): My mother’s partner encouraged me to write my story because she recognized how unusual my family’s experience was. I sometimes forget that to outsiders my family’s history is interesting or confusing, because to me it’s just my life. But I’d also been thinking for a while that the voices of children of LGBTQ+ families to be included in the narrative of LGBTQ+ experience. We are a growing demographic and the diversity and volume of our stories is important to the equal rights movement. And I’d felt like there wasn’t really a place for me in the LGBTQ+ movement. “Ally” seemed too distant and didn’t encapsulate the depth of my experience. This book has given me a way to express what it has meant to me to be raised by a queer mom and to feel simultaneously unique and part of a group.

2. Were there any surprises or startling revelations about what it is like being “Raised by Unicorns?”

JENNY RAIN (47): First, the fact that the closeness of my relationship with my biological father is no different because he is gay. If he were straight, bisexual, transgender, a person of color, able-bodied, or disabled… none of those labels matter when you are family. Society tells you those labels matter, but they don’t.

Second, gender matters little when it comes to parenting. I know the conservative right will rail against this comment, but I have lived this experience. The roles (nurturer and protector) that my parents have played have been more important to my upbringing. Typically, the male is seen as the protector and the female as the nurturer. But to universalize this and say that a child is only healthy if they are raised by a man AND a woman is to substitute gender identification for roles— and I think that is a mistake. I’ve seen lots of heterosexual couples where the woman is the protector and the man is the nurturer. I’ve also seen same sex couples where both parents play both roles. As long as these roles show up in some sort of a parenting combination, the child is going to be healthy and happy.

Third, being the child of two dads, the Christian church has most definitely been the hardest place to feel safe… This is the antithesis of what should be. Jesus was at heart a countercultural force. He was kicked out of prevailing religious circles because of his habit of reaching out to those on the margins. I am a person who is on the margins of the margins. I AM the person that Jesus would have reached out to, as are my dads. Yet, we are rejected by churches, shunned, and even cast aside as immoral, defective, and abominations (yes, I get lumped into that category, too).

MARY HOLLAND (27): Honestly, writing out my own story had me reflecting more on my experiences as a child and just how much they effected me for the better. I realized that while the goodness in my heart partially comes from those who raised me, it mostly comes from the rejections I experienced throughout my life.

EMILY GRUBBS (21): I remember growing up and being surprised to learn that being LGBTQ+ was, and still is, considered “wrong” by many. My moms raised me to love everyone and have love left over for myself. It was shocking to learn that other children had not been raised in the same way I was. I had to learn that being a queer woman meant facing discrimination, because in our home we never discriminated. As a child I felt like my family was normal, what was shocking is that others thought we were so different.

KELLEN KAISER (36): I was surprised by how emotional I got reading the other chapters. I had expected to enjoy it, but there was something so deeply resonant about finding commonality that caught me off guard. As much as I have understood that there’s a shared culture we Queerspawn have, it is beautiful to see its complexity manifest. After many years of feeling different from others and often alone, it’s healing to feel a part of a tribe.

KATE HILLYER (43): It surprised me to realize how early I had begun to direct conversations in a way to avoid having to reveal that I had two moms. It’s something that a lot of closeted LGBTQ+ people do. I started that in about fourth grade.

PERSIS TICKNOR-SWANSON (21): Some of the surprise is how entirely normal it is. My mom is my mom. She’s also queer, but she is still a mom. So much of my family life is like the stereotypical hetero family: we argue, joke, play, and cuddle. But there are underlying themes of acceptance, openness, and difference in my family with both positive and negative implications. Our backyard BBQs feature mostly lesbian couples and 90s gay dance club music. My mother sometimes gets nasty or judgmental comments from people for her genderqueer appearance. I don’t blink an eye at women kissing women. I feel like I was given all the great things any child would be given by a loving healthy family with the addition of some amazing things only a kid with LGBTQ+ parents would have (like going to gay drag clubs with my mom).

3. What was the most defining moment for you as being “Raised by Unicorns”?

MIKAYLA DENAULT (15): My most defining moment being “Raised by Unicorns” is the receiving the encouragement from my parents to be whoever and whatever I want. My dreams and aspirations have been celebrated and cherished by my family, and I believe this is because they never want me to have the backlash they received from being different.

EMILY GRUBBS (21): This is a tough question! I think the moment it became clear to me what being raised by two moms really means is when I finally accepted my own queer identity. I write in my chapter about my struggles trying to come out as bisexual in high school. However, once I got to college, I started exploring partners of all genders and started to embrace my own queer identity, away from the protection of my parents. I remember “coming out” to my parents my sophomore year of college. I had a partner visiting me at home for the first time and my parents were thrilled. Up to this point, everyone in my family had only known me to be straight. It was not until my new companion was just a few minutes away from out house that I revealed she was a woman. My moms were surprised, but needed no time to accept me—they simply greeted my guest with warm hearts. That’s the definition of LGBTQ+ parenting; you’re free to be and love whomever you want.

KELLEN KAISER (36): Probably being taken out of math class in 7^th grade to go speak on CNN about the Sharon Bottoms case one day in 1992. It was a quintessential “Queerspawn as spokesperson” moment. So often we are asked as young people to represent and defend our families and communities.

KATE HILLYER (43): I went to Smith College, and after a childhood of hiding or obfuscating, I was suddenly thrust into a world where having two moms was something to be celebrated. It was like shedding my skin, a rebirth into the open.

PERSIS TICKNOR-SWANSON (21):I am not sure I have a “most defining moment” because I feel like there are so many moments with my mom that have shaped me. Honestly, writing my piece for the book was an important moment for me as a child of a queer mom. Reflecting on my experiences and turning a critical eye on my childhood, helped illuminate just how special and formative it was to be “raised by unicorns”.

 4. What changes do you expect to see in the next 5 to 10 years?

MIKAYLA DENAULT (15): I expect more equality to be reached, and I am hoping that conversion therapy will be obsolete. I expect more acceptance, as well. (A new study by J. Walter Thompson Innovation Group states that only 48 percent of 13-20 year olds identify exclusively as heterosexual.) The world is changing, so with policy changes and spreading love, perception of LGBTQ+ families will have to move with this change.

JENNY RAIN (47): My hope is that we will see the normalization and acceptance of LGBTQ+ people and families. I say “normalization” because right now, we live in an overtly hetero-normative, cis-gender, patriarchal society that runs counter to the realities that many in the LGBTQ+ community are experiencing. Millennials and Gen Z’s are breaking stereotypes, norms, and the binary boxes that we have placed people into. They are disrupting the narrative and owning their place in the rainbow of what it means to be human and it’s beautiful.

MARY HOLLAND (27): I expect to see a more global level of acceptance and understanding. I hope that the stigma behind LGBTQ+ people will diminish greatly regarding discrimination against them in their daily lives.

EMILY GRUBBS (21): I have noticed that the LGBTQ+ movement is constantly evolving and becoming more nuanced. I predict that over time more people will start to identify with the LGBTQ+ movement as labels become more inclusive. My mom, Lisa, asked me the other day what I mean when I refer to myself as “queer”. She explained that when she was growing up “queer” was used exclusively as a slur. I explained to her that, to me, being queer means rejecting socially constructed ideas about gender and sexuality. Although I personally feel proud to biological female, my gender identification is not simply masculine or feminine. Furthermore, gender does not determine who I date, I base my relationships on connection; male, female, trans, non-binary, I can get down with any kind of person. To my mom my queer identity is a new concept, but expanding the LGBTQ+ community, as well as our preconceived ideas about gender and sexuality, is the future of the LGBTQ+ movement.

KELLEN KAISER (36): I’m not ready to fortune-tell about what will happen, but I’m happy to put forth what I want to occur. I want more laws and policy in place to protect and recognize our families. I want more representation of families like ours in media (for us and by us) and in the educational system. I want the Queer community to acknowledge our unique role, even as adults, and embrace us. I want the destruction of patriarchy and white supremacy to hasten further.

KATE HILLYER (43): I have been amazed at the pace of acceptance. When I was in college, I didn’t think I’d see marriage equality in my lifetime. At that time, Vermont became the first state to pass a domestic partner law, and lawmakers had people pelting their cars with rocks. In Vermont! I know that right now is tough because of the recent Masterpiece Cake decision, and because of the rise in violence against LGBTQ+ people, but I also know that as a community, adversity makes us stronger. I think the next 5 to 10 years are going to bring greater acceptance and embracing of the variety of gender identities and sexual orientations.

PERSIS TICKNOR-SWANSON (21): So many more kids with LGBTQ+ parents. At my baby sister’s first birthday most of the queer couples there either had babies or were planning on having them. That means there is going to be a whole demographic of people who can be advocates for the “gay lifestyle”. I am now old enough to speak out about my experience and when people try to argue that having gay parents damages a child, I will be able to raise my hand as proof that isn’t true.

5. What is the one thing you wish to see change to further the acceptance of LGBTQ+ families and their children?

MIKAYLA DENAULT (15): I wish to see more inclusion of all peoples, and all families to teach their children the importance of listening to other opinions and loving everyone. I know stereotypes must be diminished in order for the next generations of families to encourage and support one another.

JENNY RAIN (47): There are several efforts going on in society right now to further acceptance, equality, and normalization. I work with an organization called The Reformation Project (TRP) and they are doing groundbreaking work in the church to promote full inclusion, but also to operate from an intersectional approach.

THIS is my hope with the LGBTQ+ community at large – that we will welcome those on the margins of the margins instead of excluding them. I mean gay rights started because a person of color who was a drag queen raised hell at Stonewall. The fact that it was a person of color has largely been erased from the narrative. The strongest argument that the Supreme Court heard on the marriage equality case was regarding the welfare of the children of LGBTQ+ parents (listen to entire SCOTUS case) and the voices of children were able to contribute in a meaningful way to the case turning in favor. Our fringe stories in the LGBTQ+ community MUST be reclaimed, and our separate movements MUST be combined if we are going to be able to have the impact that we want on society for gaining greater acceptance.

Let’s combine our voices and our efforts so we can create a revolution for the acceptance of LGBTQ+ families for the next generations of rainbow families. I believe this is possible in my lifetime.

MARY HOLLAND (27): My greatest hope is that the discrimination against LGBTQ+ people wanting to start a family goes away in all of America. I wish to see the United States give equal rights to LGBTQ+ individuals wishing to adopt. Children just need love and security, why diminish the number of people wishing to do so by discriminating against the LGBTQ+ community.

EMILY GRUBBS (21): I would love to see changes happen in Discrimination law. While we all are still reeling from marriage equality, the fact is that it is legal to discriminate against LGBTQ+ persons in thirty-one states. Our fight does not end with a marriage certificate; the fight can only end once everyone is truly equal.

I would also like to see the LGBTQ+ movement embrace intersectionality: LGBTQ+ members of color, trans-people, non-binary members, and homeless LGBTQ+ are all examples of members who often get left out of LGBTQ+ advocacy and do not get the support they need. White, gay men are not the only faces of the LGBTQ movement; we need our advocacy to reflect the diversity of our community.

KATE HILLYER (43): I wish more schools focused on teaching celebration of diversity of all kinds. That’s why I love the Human Rights Campaign’s Welcoming Schools program. They’ve got fantastic resources, including book lists, answers to commonly asked questions, and lesson plans, all aimed at teaching inclusion and avoiding bullying.

PERSIS TICKNOR-SWANSON (21): I want there to be all the same legal and financial rights for LGBTQ+ families as heterosexual families. LGBTQ+ families are challenging the accepted structure of how families are built and I want to see social structures change with that. Also, a gay president.

Raised by Unicorns is available for purchase at all major retailers in print and digital formats. Or, even better, buy a copy at your local independent bookstore! 

Amazon     iTunes     Barnes & Noble     Google Play     Kobo

January’s Exclusive Excerpt

This month Cleis Press is excited to announce the official publication of our newest book, The Big Book of Submission, Volume 2: 69 Kinky Tales edited by the erotica maven herself, Rachel Kramer Bussel. Rachel is hardly ever one to steal the spotlight, but we felt it was her time to shine as a writer, as well as an editor. To show our appreciation to our devoted fans and voracious readers, we invite you, nay, we ORDER you to enjoy this luscious excerpt from one of her own short stories in this collection, “Choker.” You liked that didn’t you? Well… don’t change your panties just yet…

When I thought I’d just about collapse with my need, my pussy clenched so tight I wasn’t even sure if his cock could t there should he change course, he guided me up for a deep kiss, his lips bruising mine before he gave me a slap across the face that made tears and a smile leap to my face.

Raul untied my wrists, and then made me crawl ahead of him up the stairs, until I was once again kneeling, this time on the bed, blindfolded. Having won back the use of my hands, I wrapped them around his shaft, guiding them up and down. But within a few minutes, he’d instructed me to squeeze his balls, and was slamming his dick in and out of my mouth, the way we both like it.

That’s when I felt it—fingers probing my pussy. I held back my startled reaction, because an even more urgent one was rushing on its heels—sheer arousal. The other times we’d played with other people, it had always been prearranged by both of us. Clearly, this was a special treat for me. “I didn’t tell you to stop,” Raul growled, giving my hair an extra-hard tug as he pulled me up, while the unknown person’s fingers not only plunged deeper, but also played with my clit.

Best Women’s Erotica of the Year Deadline Extended!

From the book series’ website:

To everyone who previously submitted work to Volume 4, you can expect to hear back by September 30, 2018. If you have any questions, contact editor Rachel Kramer Bussel at bweoftheyear at gmail dot com and she will get back to you ASAP.

​

Call for Submissions – Extension

Best Women’s Erotica of the Year, Volume 4

To be published by Cleis Press in December 2018

Edited by Rachel Kramer Bussel

Make sure to read and follow the guidelines in full. Guidelines may be updated over the course of the open submission period. Feel free to repost these guidelines as long as you link to this site (https://www.bweoftheyear.com/call-for-submissions), which will always contain the most up-to-date version of these guidelines. For occasional BWE submission tips, follow @BWEoftheyear on Twitter.

This is an extension of the original call; if you already submitted work, it’s still being considered and you will hear back by September 30, 2018. If you previously submitted one story, you can submit one more; all authors can submit a total of two stories.

This anthology is open to women, genderqueer and nonbinary authors only. I’m seeking 2,00-4,000 word original, unpublished erotic stories with women, genderqueer or nonbinary protagonists that touch on the theme of outsiders or the theme of risk. Stories without one of those elements will be rejected.

What I’m specifically looking for:

Erotica stories relating to current events (but that will still be sexy to readers in 20 years)

Ownvoices erotica stories (author and protagonist share a marginalized identity – for more information, see originator of the term)

Stories with transgender women as protagonists

Stories exploring a specific culture (see “On the Calendar” by Kate Sebastian in Volume 2 for an example)

Stories starring women who feel like outsiders because of an aspect of their sexuality

Stories starring women over 50

Historical erotica (see “Demimonde” by Valerie Alexander in Volume 1 for an example)

Humorous erotica (see “Starstruck” by Lazuli Jones in Volume 1 for an example)

As in prior volumes, I want your best, boldest, hottest, most creative and diverse 2,000-4,000 word erotica stories, written by and starring a wide range of women, genderqueer and non binary characters, from single to coupled, living in big cities and small towns anywhere in the world, of varying sexual orientations, races, ages (all characters must be 18+ for the entirety of the story), fetishes, jobs, interests and life experiences. First, second and third person narratives are all welcome. The two themes of this anthology will be Outsiders and Risk, as detailed below.

For this volume, I want stories that speak to the book’s themes of outsiders and risk, though those words don’t need to be used explicitly in the story but should be conveyed by the plot. In terms of outsiders, that could include any woman who feels like an outsider, whether from her relationship(s), her sexuality, her personality, her looks, her career, her age, her race, her religion, her family, her community, her workplace, her country, etc. Perhaps she is right to feel like an outsider, because she’s deliberately ostracized or left out; perhaps she would be welcomed by others but still feels like an outsider. Whatever the case, I want to read about how her outsider status is affected by her sexuality, and vice versa. Perhaps she is a refugee arriving in a new country, a virgin whose friends are all sexual libertines, a woman who’s made to feel her desires are untoward or unnatural, etc. The more creative and unique your plotline, the more likely your work is to be accepted.

In terms of risk, I want to read about women who put everything on the line in pursuit of love and lust, who take dramatic, daring risks that will make readers marvel at their passion. Maybe she quits her job, or dares to make waves in a long-term relationship. Maybe she pursues someone everyone’s told her is wrong for her, but she does it anyway. How is taking a risk sexy for her? What is she sacrificing, and why is she doing it? I want to read about women who are natural risk takers as well as those who are innately risk averse but are compelled to go against their instincts and take a risk anyway. I don’t want clichéd plotlines or generic characters; stories should be original, captivating and arousing. Stories can reflect current events, but shouldn’t be so specific that they will be out of date. Stories should be timeless enough to appeal to readers now as well as in ten, twenty or thirty years. Keep in mind that stories will not overlap in plotlines, so the more individual and memorable yours is, the more likely it is to be accepted.

I’m especially interested in hearing from and about: stories set outside the United States, stories set outside major cities, romantic erotica (they don’t necessarily need to have a traditional “happily ever after,” but happy endings are extremely welcome too), stories involving more than two people, stories in unusual settings, erotica touching on current events (though the story should be one readers ten or twenty years from now will also appreciate), stories with a feminist outlook (that may or may not have the word “feminism” or “feminist” in the text but convey a feminist worldview), BDSM stories, especially ones outside of the Master or Mistress dynamic, and stories starring women creative, memorable fetishes.

Stories in the final book will range from humorous and playful to intense and soulful, and will reflect a similar sexual, racial and age diversity as the stories in Best Women’s Erotica of the Year, Volumes 1, 2 and 3. Story submissions must be unpublished (never published, in whole or in part, anywhere, online or offline). No scat or incest, although age play will be considered as long as it’s clear in the context of the story that the characters are engaging in roleplay. No poetry will be considered.

In a nutshell: I want stories that blow my mind, that grab my attention from the first sentence and don’t let go, that say something new and exciting about sex and sexuality, that will appeal to longtime erotica readers and new readers of the genre. Make every word count and advance the story you want to tell. Consider each sentence and ask yourself: Does it serve a purpose? Is it advancing your story? If not, cut it. I want stories that will make readers stop everything they’re doing and eagerly read every last word to find out what happens to your characters. I gravitate toward unique, creative, memorable characters, settings and scenarios. Contemporary stories will comprise the majority of the book but historical, sci fi, fantasy and paranormal stories are also welcome. For an idea of the types of stories I like, see Best Women’s Erotica of the Year, Volume 1, 2 and 3. If you submitted a story to Volume 1, 2 or 3 that was rejected, you may resubmit it if it fits the theme of outsiders or risk, but in most cases, a new story stands a far better chance of acceptance.

In the interest of publishing a wide range of authors, those whose work appears in Best Women’s Erotica of the Year, Volume 1, 2 or 3 will not be considered for this volume, but contributors to previous Best Women’s Erotica collections are welcome to submit work.

Rights: non-exclusive right to publish your story in this anthology in print, ebook, and audiobook form. Authors will retain copyright to their stories. See exact contract terms below.

How to submit: Submit only 2,000-4,000 original, unpublished stories that are not being considered elsewhere. Word count applies to the text of your story, excluding story title and author name. Maximum two submissions per author. Stories CANNOT be under consideration elsewhere at any point prior to the book’s publication date in December 2018. I want only original work that has never been published online, in print or in any format at all, including personal or other types of blogs. All characters must be 18 or over for the entirety of the story. US grammar (spelling, double quotation marks around dialogue, etc.) required. Submit to bweoftheyear@gmail.com with “BWE 4 Submission: Story Title” in the subject line by attaching a Word .doc or .docx file, double spaced, Times New Roman Black font with legal name, pseudonym (if applicable), mailing address, phone (only to be used for urgent communication about your story) AND 50 word-or-under third person professional biography either on the first page of your story above the title or in the body of an email. Make sure you use an email address that you check on a regular basis (at least once a week). Sample bio format with URL is as follows:

Rachel Kramer Bussel (rachelkramerbussel.com) writes fiction and non-fiction. She is an editor, author and blogger.

All stories must have a title and byline (author name) included with the submission (no untitled stories) at the top of the first page. Indent half an inch at the start of each paragraph. Use double spacing for the entire file; DO NOT add extra lines between paragraphs or use any other irregular spacing. Title your document BWE 4 STORY TITLE LAST NAME, such a “BWE 4 Lovers Doe.” If you cannot use Word, submit as both an RTF AND include the full submission in the body of an email, including title, story text, bio, name and pseudonym (if applicable), mailing address and phone number. DO NOT SUBMIT MULTIPLE VERSIONS OF THE SAME STORY AS ONLY THE FIRST VERSION WILL BE CONSIDERED. SUBMIT YOUR STORY WITH THE TITLE, AUTHOR NAME AND WORDING YOU WOULD WANT PUBLISHED IF THE STORY IS ACCEPTED. MAKE SURE TO THOROUGHLY PROOFREAD YOUR STORY BEFORE SUBMITTING IT. Only stories that are between 2,000-4,000 words and submitted by November 1, 2017, 11:59 pm EST will be considered. Please do not ask about exceptions to the word count or deadline as they will not be granted.

I will confirm that I have received your submission within 72 hours. I will respond to all submissions by September 30, 2018 at the latest. If you have not heard back from me by October 1, 2018, feel free to follow up at that time. Please note the time frame and if you need a response sooner than September 30, 2018, this is not the right anthology for you.

Payment: $200 and 2 copies of the book within 90 days of publication. Payment will be made only via Paypal (strongly preferred) or U.S check (only for U.S. addresses).

Deadline: February 10, 2018, 11:59 pm EST

For questions that aren’t answered in the guidelines: Email bweoftheyear@gmail.com (note that NO word count changes will be granted – stories sunder 2,000 words or over 4,000 words will be automatically rejected)

If your story is accepted, you will need to sign a contract agreeing to the terms below in order for your story to be published in the anthology. If you are unwilling to sign this contract, DO NOT to this anthology

The parties agree as follows:

I. GRANT OF RIGHTS

Author hereby grants Editor, during the first term of the United States copyright, and any renewals thereof, in the “Work”:

a. The non-exclusive right to “publish” (i.e. print, publish, and sell) the Work as part of the Book in printed and digital form in English in the United States and its territories; and

b. The non-exclusive right to “publish” and license the Work as part of the Book in printed and digital form in English in other countries; and

c. The non-exclusive right to publish and license the Work as part of the Book in printed and digital form in English and the right to license, translate and publish the Work as part of the Book in printed and digital form in languages other than English in all countries; and

d. The following non-exclusive subsidiary rights to license and publish the Work as part of the Book in the United States and all foreign countries, to wit: anthologies, magazines, book club editions and reprints; Braille editions; audio, computer disk, all electronic/cyber rights, CD-ROM and microfiche editions; and television productions (including network TV, cable, and pay TV); and

e. The non-exclusive right to excerpt from the Work in non-book printed materials issued by the Publisher and/or its licensee for the sole purpose of promoting the Work, including, but not limited to, bookmarks, post cards, buttons, and t-shirts; and

f. The non-exclusive subsidiary right, for promotional purposes, to serialize the Work in periodicals, newspapers, and magazines.

II. ACCEPTANCE OF MANUSCRIPTS AND CHANGES

a. Editorial revisions to the Work may be made at the suggestion of the Editor and/or Publisher. The title may be changed only by mutual consent of the Author, Editor and Publisher. Editor has final say on the substantive content of the Work.

b. The completed manuscript shall be deemed satisfactory in content to the Editor and Publisher unless within ninety (90) days of its receipt, Publisher or Editor gives Author written notice of the respects in which the manuscript is unsatisfactory. Author shall have thirty (30) days from receipt of that notice to make and submit such changes.

c. Editor reserves the right to choose not to include the Work in the Book, if Publisher declines to accept it, or for any other justifiable reason. In such event, this Agreement is null and void; all rights revert to Author, and Editor does not owe Author payment.

III. WARRANTIES AND INDEMNITIES

a. Author represents and warrants that she now owns all rights granted hereunder, free of liens or encumbrances, and has full power and authority to execute this Agreement; and further warrants that the Work is original with her and not in the public domain. Author will give formal written notice of any previous publication of the Work upon presentation of the final manuscript, including editorial addresses of periodicals and/or publishers.

b. Author further represents and warrants that the Work does not infringe statutory copyrights or common law literary rights of others, and does not violate the rights of privacy of, or libel, other persons.

c. Author agrees to indemnify and hold harmless the Editor and the Publisher, and the publishing of any reprint or book club edition of the Work licensed by the Publisher, pursuant to the Agreement, against any final judgment for damages (after all appeals have been taken) against them in any action arising out

of facts which constitute a breach of the foregoing warranties together with reasonable costs and attorney’s fees incurred by them in defending such an action in which such judgment is recovered.

V. COPYRIGHT

Author shall retain copyright of the Work.

VI. PAYMENT

Author shall receive PAYMENT LISTED ABOVE to be paid by Author within 90 days of publication of the Book.

VII. AUTHOR’S COPIES

Publisher will give to Author two (2) free copies of the Anthology.

IX. SUCCESSORS AND ASSIGNS

This Agreement shall be binding on the parties and her respective heirs, administrators, successors and assigns.

Are you a writer? A lady who loves the ladies?

CALL FOR SUBMISSIONS!

Best Lesbian Erotica of the Year, Volume 3

Editor: Sacchi Green

Deadline: February 15 2018 (earlier encouraged)

Payment: $100 and 1 copy of the book within 90 days of publication

Rights: non-exclusive right to publish the story in this anthology in print, ebook and audiobook form. Authors will retain copyright to their stories.

Send me stories that only you could write, the ones inside you burning to be brought to life. Surprise me with new concepts, or startle me with prose that illuminates traditional themes in new ways. I expect to use mostly original, unpublished work, but I’ll consider stories previously published in 2016-2017. New voices are especially welcome. A maximum of two submissions per author is allowed, with a preferred length of 2000-4500 words. No simultaneous submissions.

Give me a variety of themes, voices, and tones. Diversity in ages, ethnicities, cultures, and physical attributes and abilities is welcome. The central figures must be lesbians, with believable, fully developed characters. I want vividly drawn settings, and plots or story arcs that grip the reader and don’t let go. Originality is especially welcome. And, of course, I want an intensely erotic aura with sex-positive scenes that are integral to the story as a whole. All flavors of sensuality are welcome, from vanilla to BDSM to edgy frontiers that surprise and startle the reader. A few science fiction or fantasy stories might fit in, as well as a well-researched historical setting or two.

Send your submission as an attachment in .doc, .docx, or .rtf format, double spaced, Times New Roman black font, with story title, legal name, pseudonym (if applicable) and mailing and email addresses on the first page, to sacchigreen@gmail.com. Queries are welcome.

Call for Submissions: Raised by Unicorns

Are you the child of LGBT parent or parents? Are you a fantastic writer with a keen sense of wit and retrospection with a unique, true story to tell? If so, you now have a chance to be a contributor in Raised By Unicorns, a new book by America’s favorite “Gay at Home Dad”, Frank Lowe.

Raised By Unicorns: True Stories of People Who Grew Up With LGBT Parents will be published by powerhouse Cleis Press, and aims to be an anthology that reflects on the experience of being raised by a gay, lesbian, transgender, or otherwise queer parent or parents. While stories of promise and love are of great appeal, we also seek tales of discrimination, defeats, and setbacks. This volume ultimately seeks to portray a true representation of this particular niche of the human experience.

In order to be considered, you must have a US mailing address and your story must be 3,000 to 5,000 words. Potential contributors need not identify with a particular gender. All submissions are due by July 16, 2017 and can be submitted to Frank Lowe directly at rbubook@gmail.com.

Frank Lowe is a contributor to The Advocate and is a self-proclaimed “Stepford Gay”. He has an active YouTube channel and can be followed on Twitter as @GayatHomeDad.